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Program::
2007
| Screenings May
3-6 at the Goethe Institute
(ADDRESS
DETAILS HERE) |
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| Thursday, May 3 |
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Opening night – Celebrating new
EU members from South East Europe
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| 6.30 pm
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L’s REBELLION
(Bulgaria, 2006, Feature; 106
min. US Premiere!)
Director:
Kiran Kolarov
Box office blockbuster in Bulgaria, “L’s
REBELLION" will have its North American debut at
the festival. The film tells a
heart-breaking story of a young rebel, Loris
(Deyan Slavchev in a career-making role),
who tries to escape to the West in 1986,
only to be released after the fall of the
Berlin Wall into a society ripped apart by
organized crime and robber-baron style
capitalism.
[Buy
tickets for SEE Film Festival/L’s REBELLION]
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| 8.30 pm |
The WAY I SPENT the END of the
WORLD
(Romania, 2006, Feature; 105 min.)
Director: Catalin
Mitulescu
Winner of Best Actress award for Dorotheea
Petre at Cannes Film Festival’s “Un Certain
Regard” in 2006, “The Way I Spent the End of
the World” is a warm-hearted coming-of-age
story of two siblings making the most of it
in the last months of Ceausescu’s regime in
Romania. Brilliantly acted by the
pitch-perfect Dorotheea Petre (“Ryna”), and
young boy Timotei Duma, the film follows
them through the pains of first love and
challenged loyalties.
[Buy
tickets for SEE Film Festival/End of the
world]
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| Friday, May 4 |
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| Women of South
East Europe |
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| 6.30 pm |
TWO GIRLS
(Turkey, 2005, Feature; 107 min. US Premiere!)
Director: Kutlug
Ataman
Based on Perihan Magden's controversial
best-selling novel, the film follows two
firebrand rebel-teenagers roaming the city
of Istanbul. One, the model-pretty blonde,
Handan, loves shopping malls. She also has a
love-hate relationship with her mom, Leman,
who is willing to turn tricks to raise
Handan's college fees. The other, Behiye, is
an angry and defiant university student who
despises her conservative parents and her
abusive older brother. Despite the
differences in their backgrounds, these two
girls embark on an intense relationship and,
with it, a secret plan to escape their
dysfunctional families. No small feature of
the film is a terrific score by the Replikas
(featured in Crossing the Bridge).
[Buy
tickets for SEE Film Festival/Two Girls]
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8:30 pm
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BINKA
(Bulgaria, 2006, Documentary; 48 min. West Coast
Premiere!)
Director: Elka
Nikolova
Bulgarian director Binka Zhelyazkova (b.
1923) never shrank from controversy.
Educated at Moscow’s prestigious film
academy, she clashed with Bulgaria’s
commissars and was at the forefront of
political cinema under the country’s
Communist regime. Intense and passionate
about moviemaking as much as about her view
of the society she lived in, Binka was ahead
of her time. This documentary brings to
light the woman behind the camera, and
combines scenes from Binka’s films, rare
archival footage, and candid interviews with
former Bulgarian studio executives and film
professionals. Her allegorical and urban
dramas examined human rights, artistic
freedom and the legitimacy of the political
system itself.
[Buy
tickets for SEE Film Festival/Binka]
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A KISS ON THE NOSE
(Greece/USA/Italy, 2005, Short
feature; 14 min.)
Director: Laura Neri
Lyrical examination of a mixed Greek-Italian
marriage from the daughter’s point of
view…..After Chiara's distant Italian father
Romano dies, she tries to come to terms with
her own feelings about him, but also about
her mixed heritage. Telling Chiara’s story
in reverse, the filmmaker takes us on a
journey back in time, to her parents' birth
and their first encounter. From fragments of
memory and often whimsical reconstructions
of events that Chiara did not actually
witness, little by little a picture emerges
...
SVETLANA’S JOURNEY
(Bulgaria/USA, 2005,
Documentary; 40 min.)
Director: Michael
Cory Davis
Based on a true story, the film reveals
atrocities of child slave trade, one of the
most painful aspects of the human
trafficking. Filmed on location in Bulgaria
by American filmmaker, Michael Cory Davis,
in association with the Bulgarian
anti-trafficking women’s organization, Face
To Face, the film takes an unflinching look
at sex slavery and young girls that fall
prey to it. Played by 17-year old Violeta
Markovska, Svetlana is a portrait in
despair, but also courage and defiance.
[Buy
tickets for SEE Film Festival/Svetlanas
Journey]
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| Saturday, May 5 |
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| Balkan Blues
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| 3.30 pm |
GRAVEHOPPING
(Slovenia/Croatia, 2005,
Feature; 102 min. US Premiere!)
Director: Jan
Cvitkovic
Funeral orator Pero, his mute sister, her
besotted car-mechanic boyfriend, the
suicidal widower father, and various other
relatives, onlookers and passers-by are the
collective protagonists of this rural
chronicle of love, family, mortality
and shattering violence. Making smooth
transitions between comic and tragic moods,
director Cvitkovic gradually elevates what
had previously been something of a
raucous-Balkan-comedy-by-numbers to a higher
plane. Its cumulative appeal is as dark,
warm and enticing as a Slovenian summer's
night.
[Buy
tickets for SEE Film Festival/Gravehopping]
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| 5:30 pm |
KUKUMI
(Kosovo/UN, 2005, Feature; 107 min.)
Director: Isa Qosja
Historically the first film to fly the label
of Kosovo, which is now a United Nations
Mission, Isa Qosja's "The Kukum" is a
metaphoric tale about three inmates from a
mental asylum who wander through the
countryside alongside rumbling NATO tanks.
Visual aesthetics and a slow, stately rhythm
build a wrenching vision of post-1999
Kosovo. Director Qosja offers viewers
disturbingly pessimistic reflection on the
meaning of freedom, breathtaking beauty of
his carefully composed shots, and lyrically
surreal atmosphere, at the same time
bringing a piercing sense of lost
opportunity to the historical moment his
film metaphorically depicts.
[Buy
tickets for SEE Film Festival/Kukumi]
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| Sunday, May 6 |
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The New Lost Generation
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| 3.30 pm |
MUM ‘N’ DAD
(
Bosnia Herzegovina, 2006, Feature; 65 min. US
Premiere!)
Director: Faruk
Loncarevic
“This film is a story of an elderly couple –
the husband suffers a stroke, and the wife
uses that to pay him back for fifty years of
life of deceit, stubbornness, violence and
everything else that happens ’behind closed
doors’. This need to show their intimacy
dictated the form, i.e. the reality-show
style, as notoriously voyeuristic. Our
heroes are closed inside the box, they
cannot get out, but unlike what we normally
see in such programs, they are not young,
pretty, ambitious and ready for any kind of
romantic adventure. They are, in fact, real
people, our parents, our grandparents, maybe
even ourselves, people whose foundations are
slipping….” (from director’s statement)
[Buy
tickets for SEE Film Festival/MomnDad]
SNOWDROPS
(Albania, 2006, Short
feature; 25 min US Premiere!)
Director: Robert
Budina
Blessed with two fantastic actors, the
luminous Rajmonda Bulku and extraordinarily
powerful minimalist Edmond Budina, the film
is a beautiful etude on lonely parents whose
children have gone to the West in pursuit of
a better life and, perhaps, happiness.
Director Budina’s moving tale of a husband’s
losing effort to raise the money to secure
for his ailing wife a life-saving operation
abroad unfolds with very few words spoken,
and volumes of moviemaking magic.
[Buy
tickets for SEE Film Festival/Snowdrops]
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| 5.30 pm |
CHICKEN ELECTIONS
(Serbia, 2005, Documentary; 28
min.)
Director: Goran
Radovanovic
Film about contemporary social life in the
rural Balkans, solitude and depopulation.
Shifting from the official launch of the
first mobile phone network to war and
election weary Serbia nine years later, the
story centers on the local traffic cop and
his grandmother, a lonely, old and ailing
peasant woman. He gives her a mobile phone
and impatiently tries to teach her how it
works. For her ailments, she goes to see a
doctor, who cheers her up by singing to her.
Everything is set against the backdrop of
snap elections, for which a man on a scooter
delivers ballots, while fuddled men in a
local pub endlessly complain, without much
hope that something might actually change..
[Buy
tickets for SEE Film Festival/chicken
election]
GAS
(Greece, 2006, short feature; 20 min. US
Premiere!)
Director: Bujar Alimani
“The father is unemployed. His son is sick.
Outside it is cold”. The sum of one life is also
a statement about the state of mind which is not
only unique to individuals and families in South
East Europe….
PAYCHECK
(Bosnia
Herzegovina, 2005, short feature; 13 min. West Coast Premiere!)
Director: Alen
Drljevic
Not far from Sarajevo an
illegal betting shop has been set up -
taking bets on the life or death of men
riding a motorbike through a minefield.
Muris, one of the motorcyclists, comes out
of his deadly ride alive. His hungry family
celebrates his first "paycheck", not knowing
the truth of how he earned it…….
CARNIVAL
(Bosnia
Herzegovina, 2006, Documentary; 70 min. West
Coast
Premiere!)
Director: Alen
Drljevic
During the spring of 1992, fleeing from the
horrors of the war, large numbers of
refugees from Bosnia and Herzegovina sought
refuge in neighboring Montenegro. But they
didn’t find the shelter they had been
searching for… Journalist, Seki Radoncic,
investigates what happened to those people
in director Alen Drljevic’s second film.
[Buy
tickets for SEE Film Festival/Carnival]
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| Closing Night
Gala at the Fine Arts in Beverly Hills
(ADDRESS
DETAILS HERE) |
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| Monday, May 7
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| Exploring the
issue of moral choice in immoral times
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| 7.30 pm |
IN
THE NAME OF THE SON
(US/Bosnia Herzegovina/India, 2007; short drama; 25min )
Director: Harun
Mehmedinovic
After escaping execution, Tarik, a Bosnian
prisoner of war, immigrates to the United States
looking to leave his past behind. Years later,
the man who spared his life shows up on Tarik’s
doorstep asking for a favor: he wants to die.
7 ½
(Serbia 2006; Feature; 110 min US
Premiere!)
Director: Miroslav
Momcilovic
Riotous and funny tour-de-force take on
seven deadly sins committed by ordinary
people in a generic-looking nondescript
urban setting. Miroslav Momcilovic’s
treatment of the subject combines drama and
comedy in a superb summation of society in
modern Serbia. The film presents seven
stories, each representing a deadly sin.
Main characters from one film will make a
small appearance in another, and so the
whole gives the sense of a living, breathing
place. The stories eventually combine in a
final scene of great emotion, full of pain,
yet hope for the future. No story is purely
comic, and yet even the darkest situations
have a flare of humor. In the tradition of
Kieslowski’s explorations of complexities
facing contemporary men and women struggling
(or not) with moral choices they make, 7 ½
delivers a wonderful fresh perspective on
age-old issues.
[Buy
tickets for SEE Film Festival/71/2]
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May 3-6, Goethe Institute Los Angeles |
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SEE Link – The Filmmakers Kiosk
Program |
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Exclusive presentation of
works-in-progress and experimental films
from filmmakers of South East European
descent who live and work in Los Angeles and
Southern California. This unique program
will also feature clips, trailers and shorts
from films made by American directors about
South East Europe, or about issues such as
human trafficking. Please ask one of our
volunteers to help you navigate the kiosks.
ANGELS OF SUDJERAC
by Kate Foley (Croatia/USA)
CARGO (trailer),
by Michael Cory Davis (USA/Bulgaria)
COLLISION
By Darko Ibrahimpasic (Bosnia Herzegovina/USA)
CUBE 1963
By Vedran Residbegovic (Bosnia Herzegovina/USA)
FIGHTING AUDITIONS
by Laura Neri (Greece/USA/Italy)
MAROX
by Julija Naskova (Macedonia/USA)
WIRDIV
by Julija Naskova (Macedonia/USA)
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